Audio

My new sounds:

Source: SoundCloud / ForcedLightning228
Photo

all-good-usernames-are-taken:

the-awesome-adventurer:

fucking snitch

Why were they even following a moose

(via carryontotheshire)

Source: rlmjob
Text

sawneesnowstar:

christmas-llama:

yorkshirelarry:

this is why i have trust issues image

image

you can clearly see the first one is red while the second one is blood orange

gif LOL troll blood orange Project Runway lampsarepeopletoo

(via carryontotheshire)

Source: itwillallbeokaymydear
Photo Set
Photo
detectivelyd:

justgot1:

thegalaxysloststar:

nerds-assemble-at-221b:

dudeufugly:

zeldasboyfriend:

why that fuckin plant move

we have a whole hiatus to find out …

this is it. This is my favorite post that this fandom has created, I’m in tears. 



This fucking plant gif gave the the biggest, most-sustained laugh of the day.  I have no idea why, but look at it, I can’t stop…

I’m trying to stay awake whilst watching the tennis so I’m just gonna serious over this lighthearted post.
It’s probably because, despite what it seems, that specific part of the scene isn’t technically taking place 100% within the ‘real world’ of the show and is instead sort of being experienced through Sherlock’s mind’s eye - thus the environment is reacting to his physical movement, much like the way the camera is replicating it.
Paul McGuigan used a very similar technique quite frequently even in series 1 and 2, it’s actually a really interesting way of knowing when we’re experiencing something through Sherlock’s POV.
The two first examples I can think of are: the actual lights of the office in Scotland Yard flicking off behind Sherlock when he’s visualising the map (whilst trying to figure out where the kidnapped kids are in TRF), and where the same effect is used and the lights of the corridor flick off behind Sherlock and John whilst walking away from Ian Monkford’s car in TGG.
It’s almost as if Sherlock’s mental process is interacting with, or influencing the physical environment, which we know obviously isn’t the case, but it’s mostly used as a marker for seeing something through Sherlock’s eyes.
There are a LOT of examples of this type of thing used very frequently in the show. I obviously get distracted more often than not by the plot and characters, but I sometimes forget that it was things like this that first made me love this show.

detectivelyd:

justgot1:

thegalaxysloststar:

nerds-assemble-at-221b:

dudeufugly:

zeldasboyfriend:

why that fuckin plant move

we have a whole hiatus to find out …

this is it. This is my favorite post that this fandom has created, I’m in tears. 

This fucking plant gif gave the the biggest, most-sustained laugh of the day.  I have no idea why, but look at it, I can’t stop…

I’m trying to stay awake whilst watching the tennis so I’m just gonna serious over this lighthearted post.

It’s probably because, despite what it seems, that specific part of the scene isn’t technically taking place 100% within the ‘real world’ of the show and is instead sort of being experienced through Sherlock’s mind’s eye - thus the environment is reacting to his physical movement, much like the way the camera is replicating it.

Paul McGuigan used a very similar technique quite frequently even in series 1 and 2, it’s actually a really interesting way of knowing when we’re experiencing something through Sherlock’s POV.

The two first examples I can think of are: the actual lights of the office in Scotland Yard flicking off behind Sherlock when he’s visualising the map (whilst trying to figure out where the kidnapped kids are in TRF), and where the same effect is used and the lights of the corridor flick off behind Sherlock and John whilst walking away from Ian Monkford’s car in TGG.

It’s almost as if Sherlock’s mental process is interacting with, or influencing the physical environment, which we know obviously isn’t the case, but it’s mostly used as a marker for seeing something through Sherlock’s eyes.

There are a LOT of examples of this type of thing used very frequently in the show. I obviously get distracted more often than not by the plot and characters, but I sometimes forget that it was things like this that first made me love this show.

(via littlemisshamish)

Source: zeldasboyfriend
Text

who-stole-the-tardis:

utter-insanity101:

get-back-to-hogwarts:

sam-the-moose:

mylovelypadalumps:

doctor-sherloki:

wakingthegoldenwood:

eridanschoiceass:

hush little fandom dont you cry
you all knew your fav character was going to die 

#a song by joss whedon

accompanied by Steven Moffat and Mark Gatiss.

feat. Eric Kripke

back up vocals done by J.K. Rowling

produced by Suzanne Collins

music video staring Benedict Cumberbatch and David Tennant

directed by George R.R. Martin

(via carryontotheshire)

Photo

scoutingleijon:

panickyintheuk:

panasonicyouth:

kimcrow:

lord—loldemort:

tophatkurt:

homemadedarkmark:

teppelin:

This is apparently a lubricant ad. Just let the reality of the image sink in for a moment.

WHY WOULD ANYONE THINK THIS WAS A GOOD IDEA

IT TOOK ME A MINUTE AND NOW OH MY GOD 

i’m like wtf are they say-HOLY SHIT

WHAT ARE YOU DOING

WHY

WHY

WHY

WHY

OHMYGAWD O.O

I don’t get it. Are they saying she created the ocean? That lubrication is peaceful? What is this ad trying to say? Look, I swear, I don’t understand this and it is making me feel like—

OH SWEET JESUS PLEASE NO WHAT THE FUCK. WHAT THE FUCK. 

Wait, what’s everyone freaking out about? I don’t get it—

OH MY GOD.

I was gonna reblog it like “I don’t get it someone help” and then

OH

(via carryontotheshire)

Photo Set
Photo Set
Audio

snappleshampoo:

42 SONG POP PUNK MASHUP

Songs Sampled:

My Chemical Romance - Welcome to the Black Parade
Green Day - Good Riddance 
Panic! at the Disco - I Write Sins Not Tragedies
blink-182 - What’s My Age Again?
Jimmy Eat World - The Middle
We The Kings - Check Yes Juliet
Third Eye Blind - Graduate
All Time Low - Weightless
All Time Low - Dear Maria Count Me In
Switchfoot - Meant to Live
Fall Out Boy - Sugar We’re Going Down
My Chemical Romance - I’m Not Okay (I Promise)
Boys Like Girls - Thunder
30 Seconds to Mars - Kings and Queens
Yellowcard - Ocean Avenue
Relient K - Be My Escape
Relient K - Sadie Hawkins Dance
Simple Plan - I’d Do Anything
Paramore - Misery Business
Rise Against - Savior
Sum 41 - Fat Lip
My Chemical Romance - Teenagers
Fountains of Wayne - Stacy’s Mom
All American Rejects - Gives You Hell
blink-182 - Feeling This
Lit - My Own Worst Enemy
Sum 41 - In Too Deep
The Cab - One of THOSE Nights
Relient K - High of 75
blink-182 - I Miss You
Paramore - That’s What You Get
AFI - Miss Murder
Good Charlotte - Dance Floor Anthem
Cute Is What We Aim For - Curse of Curves
30 Seconds to Mars - Closer to the Edge
A Day to Remember - All I Want
Mayday Parade - Jamie All Over
Fall Out Boy - Thnks Fr Th Mmrs
Cartel - Say Anything (Else)
Taking Back Sunday - MakeDamnSure
Rise Against - Audience of One
Fall Out Boy - Sugar We’re Going Down

(via predictably-unpredictable)

Source: theblowjobsong